End of an era, new beginnings

Last week, after almost 34 years as a member, I collected my belongings from the Black Church Print Studio. It was with a heavy heart that I made the decision not to renew my membership, as I had joined when I left NCAD. But over the last few years I had not worked there, as I found it difficult to get into Temple Bar; as well, I had built my own studio. As I emptied out “my” plan-chest drawer, memories flooded my head. 


A Place with a Dark Story


I rarely write much about the places I draw or print from.


Poor painting!

Last week I spent 3 days in London with LSH (long suffering husband). I was there to collect my work from the Masters Show at the Bankside Gallery. While there I saw a few great exhibitions at the V&A and the Royal Academy. The RA's big blockbuster Abstract Expressionism is superb, but at the top of the house there is a fantastic show called Intrigue: James Ensor by Luc Tuymans.



What a week!

Well really, what few weeks! Which have been anything but dull. Normally, this is a time of slowing down and settling back to the rhythm of printmaking, as the days grow shorter. But the last few weeks have been like being caught up in a storm!


2017 calendars are available now.

It's coming to that time of year again when we start to think [have it force-fed to us - Ed.] of the big event at the end of December. The ads on the telly have so many baubles and trees in them now and jingling bells over the soundtrack that you would swear the weather outside was frightful...


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